Seal Of Solomon On America’s New Passport
BATTLEFORWORLD.COM | October 4, 2026:
SILENT REVOLUTION OF TRUTH, COMPILATION EDITION | VOLUME 2
[4] (Editor: Cheiro wrote quite a few books on numerology, astrology, palmistry, fate and fortune, etc.
The number he calculated for the United States of America was number 13. And said: “He who understands the number 13 will be given power and dominion”. It is symbolized by the picture of a skeleton, or death with a scythe reaping down men. It is a number of upheaval, destruction and recreation. It is a symbol of power and if wrongly used, will cause destruction upon itself – which is what is unfolding now inside the country of America. And it’s continuing power of force being stirred up into all sorts of troublemaking folly around the world. — He also said the power of Israel would be broken, her cities destroyed and her people dispersed to the four corners of the Earth. …) Refer to page 262. Download free PDF here .
On new US passports, is the Seal Of Solomon – the Six-Pointed Star on the Great Seal – hidden in plain sight
NOTE: Partial transcript from video:
Who put a Seal of Solomon over the American eagle, and what does it have to do with a temple in Jerusalem? Every page you will see in this film is real, and at every step you will be told exactly where the evidence stops. This is the Seal of Solomon. On the 4th of July, 1776, the day it adopted the Declaration of Independence, Congress named three men: Benjamin Franklin, John Adams, and Thomas Jefferson to bring in a device for a seal for the United States of America.
None of them could draw, so as Gaillard Hunt wrote in the State Department’s history of the seal in 1909, they called in an artist, Pierre Eugene du Simitiere. His sketch put an eye inside a triangle above the shield. The committee’s report described it: “The Eye of Providence in a radiant triangle whose glory extends over the shield and beyond the figures. “Franklin proposed the other side, Moses on the shore of the Red Sea as Pharaoh’s army drowned. In his draft, he first wrote, “Moses in the dress of high priest, “then struck out the priest’s robes.
The committee’s motto for that side read, “Rebellion to tyrants is obedience to God. “Congress ordered the report to lie on the table. Only two features survived into the final seal: the eye and the motto, E Pluribus Unum. In 1780, a second committee tried again. Its designs were drawn by Francis Hopkinson. Its crest was a radiant constellation of 13 stars. Hopkinson drew them with six rays each, set in rows of three, two, three, two, and three.
That report, too, was sent back. In May 1782, a third committee turned to William Barton of Philadelphia. He put an eagle on the front and a pyramid on the back. Then Charles Thomson, the Secretary of Congress, combined the best of all three, and on the 20th of June, 1782, Congress adopted his design. The law describes the crest in the language of heraldry: a glory breaking through a cloud and surrounding 13 stars, forming a constellation, silver on a blue field.
It says nothing about the shape. In Thomson’s own sketch, the stars are a loose cluster, and Thomson gave the stars just one meaning: “The constellation denotes a new state taking its place and rank among other sovereign powers. “Then the seal was cut in brass. Hunt writes that, “The identity of the engraver is unknown. The only clue is a postscript Thomson wrote to his wife in 1785:’I enclose an account of Scott for engraving the seal. ‘It points to Robert Scott, a Scottish-born engraver, but it is not proof. “On that first die, the 13 stars stand in rows of one, four, three, four, and one.
Six tips, six crossing points, and a center make exactly 13, and together they draw a six-pointed star. In 1976, the State Department’s official history of the seal, the eagle and the shield, looked closely at that die. “Each star is six-pointed, “it says, “with straight points in what is generally known as a Star of David shape.” And then, “There can be no question that this was intentional and that it had Thomson’s approval. “Its explanation is heraldry.
An English rule book held that a star’s points must never be fewer than six. No document of 1782 explains why the 13 were set in a six-pointed figure. Every die since has kept that figure. In 1841, an engraver named Throop gave each star five points instead of six, an innovation which has been copied from die to die down to the one in use at the present time, but the shape of the constellation stayed. The official history records that in 1884, a State Department official, Theodore Dwight, said, “The arrangement of the stars in the shape of a star was authorized by the die of 1782.”The die Tiffany cut in 1885 ringed it with clouds, and the die of 1904, still the model today, kept it all.
The law also gave the seal a reverse, a pyramid unfinished. In the zenith, an eye in a triangle. The pyramid was Barton’s. The two mottos were Thompson’s, adapted from the Roman poet Virgil, Annuit Coeptis, from a prayer to Jupiter in the Aeneid, and Novus Ordo Seclorum, from Virgil’s prophecy of a great new order of the ages. Thompson explained, “The pyramid signifies strength and duration. The eye over it and the motto allude to the many signal interpositions of Providence in favor of the American cause. “The reverse was never cut as a die.
In eighteen eighty-four, a Harvard professor, Charles Eliot Norton, complained that it could hardly look like anything but a dull emblem of a Masonic fraternity. Fifty years later, a Freemason took that reading seriously. In nineteen thirty-four, Henry Wallace, the Secretary of Agriculture, wrote that he had asked the State Department for the pamphlet describing the Great Seal. In the reverse, he saw the vision of Isaiah, the day when all the nations would flow to the mountain of the Lord, and asked whether it pointed to the second coming of the Messiah.
He wrote of the recognition of the Grand Architect of the Universe before the apex stone is finally fitted into place, Freemasonry’s name for God. Years later, he recalled showing it to Franklin Roosevelt.” Roosevelt, like myself, was a thirty-second degree Mason. He suggested that the seal be put out on the dollar bill rather than a coin. “Roosevelt’s own pencil marks survive on the model for the new dollar of nineteen thirty-five. The official history notes that Wallace’s story is a claim that cannot be verified in official records.
As for the designers, the State Department’s history, drawing on the Masonic Service Association, finds one definite Mason among them, Benjamin Franklin. Thompson, who settled the final design, was definitely not a Mason. And although George Washington was a Mason, he played no role in designing the Great Seal. Its verdict is that the designers and the Masons took their symbols from parallel sources, which raises the question this film follows. What were those sources, and why does one of them keep leading back to a temple?
YouTube video posted by The Observation Lounge, titled: “The Six-Pointed Star on the Great Seal, Explained”
On new US passport – Six-Pointed Star on the Great Seal
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